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Saturday, November 17, 2012

'Touring Stanley Kubrick exhibit lands at LACMA and it's a cinephile's dream'

TheVideoMouse ‏@TheVideoMouse Vincent d'onofrio, watching the bts of full metal jacket. I saw him on screen then I looked to my right and http://instagr.am/p/SJp89DxjM6/



  HIT FIX



LOS ANGELES – If LA film lovers are looking for something to do this holiday, look no further than the Stanley Kubrick exhibition at the Los Angeles County Museum of Art. A touring treasure trove of artifacts from the famed filmmaker's career that has already made stops all over the world, from Frankfurt to Berlin, Melbourne to Ghent, Zurich to Rome, Paris to Amsterdam, it has set up shop in LA through June 30, 2013 and is well worth the $20 admission price.

As soon as you walk through the giant glass doors you're met with a career spanning three shorts and 16 features, including the uncompleted "Napoleon" and "Aryan Papers," as well as the Steven Spielberg-directed "A.I.: Artificial Intelligence," which Kubrick developed. A pair of video walls in a dark room greet you first, with clips from a number of films to get you in the right frame of mind. Then the journey really begins.

There is a separate room or wing dedicated to most of the features. A brief wall with elements from the shorts and "Killer's Kiss," as well as a glass case featuring "The Killing" soon gives way to the first considerable presentation: 1957's brilliant "Paths of Glory." Twisting and turning through the exhibit you're met with costumes from "Spartacus," miniature models from "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb," bright white statues from the Korova Milk Bar of "A Clockwork Orange," art department elements from "2001: A Space Odyssey" including a simian costume and the star child model, the giant, NASA-developed lens used to capture mere candle light for "Barry Lyndon" and much, much more.



Off in one alcove is a thoughtful presentation of Kubrick's use of pre-existing music to 
sometimes eerie, often visceral effect in films like "The Shining" and "Eyes Wide Shut." There you'll hear the sounds of György Ligeti's "Atmospheres" or Krzysytof Penderecki's "De Natura Sonoris No. 1" and "No. 2." Another detour offers pre-production imagery and an interview with a would-be star of "Aryan Papers."

Screenplay drafts, notes, production boards, sketches and models litter the expansive collection. One case is dedicated to Kubrick's many cameras and lenses, while another wall features numerous posters from his (relatively small but potent portfolio of work.

Most arresting is a scale model of the bedroom suite from the finale of "2001: A Space Odyssey," wonderfully lit and impeccably detailed. Though a major stand-out is the vast collection of "Napoleon" materials. It would be the most extensively researched film of Kubrick's career, with a pre-production boasting so much that Taschen dedicated a coffee table book to it. Yet it would never be made, and Kubrick would use the natural light cinematography techniques he was developing for the film on "Barry Lyndon" instead.

Also intriguing are the many informative elements regarding production design. Whether it's Anton Furst's creation of a bombed-out Vietnamese town at a strategically detonated factory in England for "Full Metal Jacket" or the gimbal rig used for the space station sequence in "2001: A Space Odyssey," Kubrick's films were marvels of design, and that isn't lost on the exhibit. 

You could spend countless minutes peering into the scale model of the hedge maze from "The Shining." (The room for Kubrick's Stephen King adaptation features Jack Torrance's typewriter bearing one of the countless pages indicating his descent into insanity, as well as the framed photo of the Overlook Hotel's July 4th ball that eerily closes the film.)

Further to all of that, there is an entire wall dedicated specifically to the director's use of the color red throughout his career: the eye of HAL-900 in "2001: A Space Odyssey," the redcoats of "Barry Lyndon," Gomer Pyle's post-suicide blood splatter from "Full Metal Jacket," it's all thoroughly, fascinatingly analyzed.

As you walk through the final areas featuring elements from "Eyes Wide Shut" and "Aryan Papers," past a wall of film markers from the set of a handful of films, you might heed the security guard's warning: "If you go out here it's exit only." I humbly suggest turning around and going right back through the exhibit on your way out the entrance, because for Kubrick fans -- indeed, for fans of cinema -- once truly isn't enough.

Check out a gallery of sights from the exhibit below
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The Stanley Kubrick exhibition at LACMA opened November 1 and runs through June 30, 2013.

Friday, November 16, 2012

'Broken Horses' filming at Central High next week in Los Angeles


'Broken Horses' filming at downtowns Central High next week.. . .. . 


VDO drawing in the making...


This weekends project is hereby official :) This will (hopefully) beVincent D'Onofrio (  ) by Sunday :)


I'll post the final drawing when it's finished!

'India's Vidhu Vinod Chopra shoots English-language pic'

VARIETY

Anton Yelchin, Vincent D'Onofrio star in 'Broken Horses'

Vidhu Vinod Chopra
Chopra
After producing India's highest grossing local movie, "3 Idiots," director Vidhu Vinod Chopra has enlisted Anton Yelchin, Chris Marquette and Vincent D'Onofrio to star in his first English-language film, "Broken Horses."
Thomas Jane, Sean Patrick Flanery and Maria Valverde co-star in the indie that Reliance Entertainment is financing. Mandeville Films' David Hoberman and Todd Lieberman are producing with Chopra and Subhash Dhar.
Pic is lensing in and around Los Angeles. Death Valley is also set to serve as a location. "Broken Horses" is set in the shadows of the U.S.-Mexico border gang wars.
Chopra conceived of the story and penned the script with Abhijat Joshi.
Tom Stern ("The Hunger Games") serves as director of photography, while Toby Corbett ("Bad Lieutenant") is the production designer and Mary Vogt ("Men in Black 3") is costume designer on "Broken Horses."
Vinod Chopra Films has produced 12 pics in India since the shingle was founded in 1977, including such hits as "1942: A Love Story," "Parineeta" and the "Patch Adams"-inspired "Munna Bhai MBBS" and its sequel. Mandeville is prepping a sequel to "The Muppets" at Disney, while Relativity and Summit are readying to release its "21 and Over" and "Warm Bodies" next year.
"3 Idiots," directed by Rajkumar Hirani, earned nearly $11 million outside of India when it was released in 2009.

Thursday, November 15, 2012

Wednesday, November 14, 2012

Tuesday, November 13, 2012

Brooks Ashmanskas, Vincent D’Onofrio and Zoe Kazan Will Join Ethan Hawke in Off-Broadway's Clive



By Andrew Gans
13 Nov 2012 

Additional casting has been announced for The New Group's upcoming production of Jonathan Marc Sherman's Clive, which begins a limited Off-Broadway engagement Jan. 17, 2013, at The New Group at Theatre Row (The Acorn Theatre, 410 West 42nd Street).






Joining the previously announced Ethan Hawke in the title role will be Brooks Ashmanskas, Vincent D’Onofrio and Zoe Kazan. Additional casting will be announced.

Also directed by Hawke, the production will officially open Feb. 7 at 7 PM.

Inspired by Bertolt Brecht's inflammatory play Baal,Clive, according to press notes, "tracks a dissipated songwriter in 1990s New York City from the hedonistic heights of seduction and consumption into an ecstasy of self-destruction."

This production reunites playwright Sherman and director Hawke, who teamed previously at The New Group on Things We Want (written by Sherman, directed by Hawke, 2007 extended run).

Performances will be Monday, Tuesday and Wednesday at 7 PM and Thursday, Friday and Saturday at 8 PM with matinees Saturday at 2 PM.

Tickets, on sale in late November, may be arranged through www.telecharge.com or (212) 239-6200, or at the Theatre Row Box Office (12–8 PM daily). Tickets are $60 plus $1.25 restoration fee.

For more Information, visit www.thenewgroup.org.

PHOTO: Leila and Dad

COURTESY OF:

leila george ‏@leila_george Found this very old photo #loveyou pic.twitter.com/o9Ue8Q8o


Upcoming Workshop with Elizabeth D'Onofrio

NAPLES NEWS

Audition for Film and TV Workshop (Saturday, November 24th 2012, 12-4 pm) As a painter prepares a canvas or a musician tunes his instrument, so must an actor prepare to create art. Based on her studies with Sonia Moore of "The American Stanislavsky Theater," with Sharon Chatten of "The Actors Studio", in NYC, and her work as a professional actor in Theater and Film, Elizabeth D'Onofrio will be conducting a four hour Audition workshop. This workshop will consist of: A cold reading technique, on camera cold readings, critique, and monologue coaching. A local talent agent will be available the first hour to speak with you all about what is going on casting wise in SW and South Florida. Elizabeth will teach you how to prepare for your audition using her technique based on her studies alongside her brother, actor, Vincent D'Onofrio.

Price: $50, Materials: Bring headshot and resume, monologue if you have one. Sides for Cold Readings will be provided. Special Guest: Local Talent Agent

Monday, November 12, 2012

'Broken Horses' filming in Pasadena, CA


Broken Horses, starring Vincent D'Onofrio, is filming at 132 N. Euclid Ave in Pasadena, Ca tomorrow

More cast revealed for 'Broken Horses'


Review Summary
When concert-level violinist Jake Heckum returns to his rural Western town to visit his simple-minded brother Buddy, he learns that Buddy has fallen under the influence of murderous ganglord, Hench, who has turned the gullible Buddy into a killing machine. Now, Buddy wants to quit the gang and join Jake in New York , but Hench has no intention of letting his prize hit-man go so easily. ~ Baseline StudioSystems

Broken Horses 11/2012 



 "Broken Horses" will feature Foster, Christensen, Val Kilmer and Sean Flanery. The cast alone ignites my interest.

 salutes Hayden Christensen, one of the actors in's new movie Broken Horses.


First day is coming...  


Casting Notice: 'Broken Horses'

CASTING NOTICE: Shoots Los Angeles on Tuesday, November 13, 2012. Must have NEVER worked on Broken Horses. SAG members ONLY - must be a card-carrying SAG member. Authentic Italian men and women: age 18-50. I need real Italians here! The scene looks as if it's in Italy. Please email a current color photo (no headshots please), your age range, your name, your SAG number and your phone number to: SandeAlessiCasting@gmail.com 

Photo: Vincent D'Onofrio and Elizabeth D'Onofrio in 'This Property is Condemned'

Elizabeth D'Onofrio 17 hours ago

Here's a pic from the 80's when Vincent and I did Tennessee William's "This Property is Condemned" with the American Stanislavski Theater in 1980. Enjoy!


Video: More Jennifer Lynch at SLIFF



Published on Nov 11, 2012 by 
From the Director of Surveillance, to date, Hollywood's youngest Screenwriter & Director, Jennifer Lynch, is in town for the 21st Annual Whittaker St Louis International Film Festival, showing her film "Chained". Chained is a psychological thriller that tells the story of a madman taxi-driving serial killer, Bob (Vincent D'Onofrio, from Law & Order: Criminal Intent). The movie starts at the end of an afternoon excursion, Sarah Fiddler and her young son gets in Bob's taxi to head home...they never get there. Re-christening the boy "Rabbit," Bob forcibly adopts him and compels his "son" to clean up after his crimes. In his own distorted way, Bob wants to be a good father - to raise a son who is well-prepared to succeed in the world...as a mass murderer. See Jennifer's interview right here as she talks about the film and what's next.