'THE JUDGE' CASTING EXTRAS MAY 18TH IN THE BOSTON AREA...SEE INFO BELOW!Get this Widget
Showing posts with label Woodstock 2012. Show all posts
Showing posts with label Woodstock 2012. Show all posts

Sunday, October 7, 2012

'Woodstock Film Festival symbolizes town's film growth'



The Woodstock Film Festival has received assistance from many Hollywood players; actor Vincent D'Onofrio, center, who lives part-time in Kingston, is a member of the festival's advisory board. He and actor Ellen Barkin, left, pose recently with festival Executive Director Meira Blaustein.Anthony Puopolo
Woodstock has been many things: an artistic commune; a musical inspiration; a temple for chamber music; a visual feast. The name has been defined, dissected and debated. It's been through various eras, from Byrdcliffe to Maverick to the Cafe Espresso.
Welcome to the newest era in Woodstock: The Era of Cinema Paradiso.
The 13th Woodstock Film Festival opens Wednesday. With it comes about 130 films, 13 world premieres, panels, concerts and parties. The annual event has blossomed from a homespun, intimate gathering to a global phenomenon. You can count on the festival every fall. And now, in its 13th year, it has secured its role as linchpin for a new cultural movement in Woodstock.

IF YOU GO

What: Woodstock Film Festival
When: Oct. 10-14
Where: Woodstock, Kingston, Rhinebeck, Rosendale, Saugerties, Newburgh
Price: Varies; most screenings $10
Call: 679-4265
Visit: woodstockfilmfestival.com


Consider the progression. A filmmaker enters his production into the Woodstock Film Festival. It's accepted. The filmmaker visits Woodstock for the festival, lodging in a mountainside house, traversing the winding streets of the breezy Hudson Valley autumn. He falls in love. A few months later, and the filmmaker is calling the Hudson Valley Film Commission because he wants to shoot his next film here. The relationship furthers.

"Part of the growth of the film production industry in the Hudson Valley," says festival Executive Director Meira Blaustein, "is that the festival brings in people who come for the first time. It's a very important process."This is the pass-it-on philosophy that has bubbled underneath the creative Woodstock world; it's the mantra carried by local legends like Pete Seeger and the late Levon Helm.
It might be why the festival this year is honoring Jonathan Demme. It's easy to see why Demme is receiving this year's Honorary Maverick Award.
He directed "Philadelphia," "The Silence of the Lambs" and "Stop Making Sense," the iconic Talking Heads concert documentary that had film lovers shaking in a dance party at the first Woodstock Film Festival.
But this is Woodstock. Accolades are nothing if they're not backed by spirit.
"He's just a really nice guy," says Blaustein. "He's very giving to filmmakers. Young filmmakers will get a lot out of meeting him because he's a very generous filmmaker."
That's the bottom line. If you're at Woodstock, you're giving back, you're contributing and you're progressing the conversation. In your own way, you're continuing the Era of Cinema Paradiso.
"Going forward there's a lot to look forward to," says Blaustein.
"Not just us, for the film festival, but for the community at large."
The process seems to reap greater rewards each year. Now there's the Kerhonskon-based BCDF Pictures, which has produced "Why Stop Now," "Bachelorette" and "Liberal Arts" just in the last year. BCDF will contribute its newest film, "Rhymes With Banana," to the film festival.
"We arrived at the right moment right in the Valley," says Claude Dal Farra, principal of BCDF Pictures. "We transformed a big farm into a little studio, and we're connecting people in the region."
That begins early, too. The film festival started working years ago with Onteora High School, creating a career day during the festival that brings filmmakers and industry professionals to the school to chat with students.




This year the festival has carved out a Friday morning screening of "Once in a Lullaby," a film about New York City's talented P.S. 22 Chorus, for school-group viewing.
And the Teen Shorts series returns with films by students from, among other places, Florida, California and Woodstock.
Young filmmakers attending the festival will get to network with filmmakers and other professionals.

This is the pass-it-on philosophy that has bubbled underneath the creative Woodstock world; it's the mantra carried by local legends like Pete Seeger and the late Levon Helm.
It might be why the festival this year is honoring Jonathan Demme. It's easy to see why Demme is receiving this year's Honorary Maverick Award.
He directed "Philadelphia," "The Silence of the Lambs" and "Stop Making Sense," the iconic Talking Heads concert documentary that had film lovers shaking in a dance party at the first Woodstock Film Festival.
But this is Woodstock. Accolades are nothing if they're not backed by spirit.
"He's just a really nice guy," says Blaustein. "He's very giving to filmmakers. Young filmmakers will get a lot out of meeting him because he's a very generous filmmaker."
That's the bottom line. If you're at Woodstock, you're giving back, you're contributing and you're progressing the conversation. In your own way, you're continuing the Era of Cinema Paradiso.
"Going forward there's a lot to look forward to," says Blaustein.
"Not just us, for the film festival, but for the community at large."

Friday, August 24, 2012

PHOTOS: Vincent D'Onofrio in 'Green Door' Mag...

GREEN DOOR MAGAZINE FACEBOOK









THANX, MARIAN!

''VINCENT D’ONOFRIO & THE 13TH ANNUAL WOODSTOCK FILM FESTIVAL''

GREENDOOR MAG
Published In: Fall 2012 - Vol 2 No 3
Written By: Akira Ohiso
Photography: Chris Zedano



Vincent D’Onofrio wants you to spend Fall at the Woodstock Film Festival. Meira Blaustein, co-founder and executive director of the Woodstock Film Festival, has fond memories of the first film festival twelve years ago. On a shoestring budget, community centers and art galleries around Woodstock were retrofitted to screen films. Blaustein remembers Barbara Kopple’s My Generation, a film documenting the three Woodstock music festivals, as a highlight. The first year also celebrated the fifteenth anniversary of Stop Making Sense, the Talking Heads concert movie directed by Jonathan Demme. It was screened at the legendary Bearsville Theater in Woodstock where organizers removed the seats to create a dance floor. Confused audience members, not knowing what to do, chose to dance.

This embodies the magic of the festival where passion, spontaneity and creativity thrive. The festival is known for its exciting panel series where one can see some of the top professionals in their respective fields and get a serious crash course on the various topics being presented. Each year, Academy Award nominated animator, Bill Plympton, co-curates the world-class animation program. Originally conceived as part of the 1999 Woodstock Music Festival, the film festival continues to pay homage to its musical roots with live concerts that are tied to the movies being shown. Past performers include Levon Helm, Bela Fleck, Arlo Guthrie and Donovan.

Actor Vincent D’Onofrio, a strong supporter of the festival, says, “You meet the most interesting filmmakers; every time I go I end up having a two or three hour conversation with people in a room somewhere, impromptu conversations with filmmakers from all over the world.” Diverse programming showcases film professionals from Russia to Mexico to right here in our own backyard.

Now in its thirteenth year, the festival has become a premiere regional event where actors and filmmakers abound. You may run into celebrities at local restaurants, coffee shops, panel discussions and, yes, movies. Past attendees include Steve Buscemi, Melissa Leo, Ethan Hawke and Mark Ruffalo. The festival recently moved its operations to the new Film Center on Rock City Road. “We spent an enormous amount of time, energy, and a ton of money scrambling to find and renovate space each year to fulfill our needs, so the new Film Center offers us the opportunity to consolidate and grow to continue providing extraordinary programming and economic benefit to the region,” says Blaustein.

There is an ongoing capital campaign in conjunction with the Hudson Valley Film Commission to complete the center. The Film Center will host filmmakers, film- related workshops, classes, special events and serve as a hub for the film festival and film commission events such as casting calls, screenings and board meetings.

The festival is a non-profit organization with zero commercial drive other than showcasing worthy independent films and filmmakers. It relies on grants, sponsorships, philanthropic efforts and the residents of the surrounding Hudson Valley communities for support. "The Film Center will enhance our ability to continue creating, assisting and promoting sustainable, clean, economic development by bringing jobs, educational opportunities and revenue to the community via film, video and media production," says Hudson Valley Film Commission Director Laurent Rejto. The festival now receives about two thousand film submissions a year. Only one hundred and twenty-five films are selected. Blaustein also attends movie festivals around the world cherry picking film for possible inclusion. She likes filmmakers who may not have reached their peak but show promise. The selection process is highly competitive so Blaustein turns to the advisory panel and established filmmakers for their expertise.

Last year, for the first time, the festival expanded its reach by screening movies outside of Woodstock at the Rosendale Theater in Rosendale and Upstate Films in Rhinebeck. Festival organizers want to correct a misnomer that the Woodstock Film Festival is only for Woodstock. The festival is an artistic and economic generator for the entire Hudson Valley that highlights a region rich in location and talent. The festival works with the Hudson Valley Film Commission to foster and support the film industry in the Hudson Valley.

There is no doubt that the festival has grown, but, even so, Blaustein has not wavered in the festival’s mission. “We have a specific personality that has to do with fiercely independent films, singular vision, subject matter that is of value and groundbreaking styles.”

Blaustein understands that there is a balance and getting too big would undermine the character of the festival. “Intimacy is one of its strengths.” Blaustein has mixed feelings about recent trends in filmmaking such as the propagation of digital filmmaking. “Now anyone can readily make a movie, which democratizes filmmaking but also saturates the landscape with mediocre films and makes it harder for truly worthwhile films to stand out,” says Blaustein. “I think we’re in a transitional period with digital,” added D’Onofrio. “The bigger budget films are all shooting digital, everybody is shooting digital and everybody is using the economy as an excuse to pay people less.”

With less pay and tighter movie budgets, the delineation between independents and blockbusters has become blurred. “It will be interesting in five years when the economy gets better", says D’Onofrio. “The only true independent films that are made right now are made for $100, 000 or less and are shot in someone’s backyard.”

Regardless, Blaustein reminds us of what’s most important. “Storytelling hasn’t changed. In order to make a good movie you have to tell a good story.”

D’Onofrio started attending the festival as a fan and now wouldn’t miss it. He is impressed with the genuineness and artistic integrity of the festival. “Actors don’t need to be nervous about going to the Woodstock Film Festival because nothing is ever asked of you that’s in any way exploitive.” He is a member of the advisory board along with other actors like Ethan Hawke and he does anything he can to help promote the festival. A couple of years back, his movie Don’t Go Into The Woods was screened at the festival. It’s a horror/musical shot on his farm (backyard) in the Kingston area. Screened at an outdoor venue, the mix of Woodstockian night, gore and musical numbers made for pleased, if terrified, moviegoers. 

D’Onofrio continues to work as an actor with five new films in post-production, but now devotes time to developing films from the ground up. He has several of his own projects in the early stages of development. “I think everything I make will be shown at Woodstock,” says D’Onofrio.

This year’s festival runs October 10th to 14th and tickets go on sale mid-September. Tickets will be available earlier at the Woodstock box office so make sure you check the website regularly for festival lineups, musical performers, ticket info and travel accommodations. There are a limited number of tickets available to the public for The Opening Night Party, The Friday Night Filmmaker Party and The Maverick Awards Ceremony and Gala. Merchants in Woodstock, Rhinebeck and Rosendale will have special offers for ticket holders and there are special lodging packages for weekenders up from the city.


SUBSCRIBE TO GREEN DOOR HERE
FOR MORE INFO:
www.woodstockfilmfestival.com