'THE JUDGE' CASTING EXTRAS MAY 18TH IN THE BOSTON AREA...SEE INFO BELOW!Get this Widget

Tuesday, April 10, 2012

LEILA GEORGE AT THE 'AWKWARD' SYDNEY GRAND OPENING

27 MARCH 2012
SOCIAL DIARY


LEILA




Wednesday March 21st saw the much anticipated grand opening of Awkward Sydney, a hybrid venue creating a freshness never seen before in Sydney. The Darlinghurst Road space hosted a mix of industry and upcoming talent, who were entertained by a fusion of singers, artists and the amazing contortionist Bree Robertson. Awkward Sydney was created by Fuzz Ali, who has a passion for bringing talented people together to achieve their dreams. To enable this, the venue will transform into a bar, restaurant, fashion studio, art gallery, music room or dance hall depending on the day of the week, or in last night's case - all at the one time. Awkward Sydney - Restaurant, Cocktail Bar, Silly Funhouse, Empire of the Fabulous.

'Vincent D'Onofrio Heads For Mall Joining Joe Hahn's killing spree'

10 April 2012 | Written by Owen Williams | Source: Bloody Disgusting
EMPIRE

Last week the news emerged that Vincent D'Onofrio would be heading to jail as the deputy warden of Sylvester Stallone's impregnable prison The Tomb. Before that however, D'Onofrio is taking a detour round a Mall.

The 'dark drama' is being directed by Joe Hahn, who's better known at the moment as Linkin Park's DJ.

The premise is that a group of teenage mallrats have the peace of their emo-moping shattered when a disgruntled former employee of a tuxedo shop goes on a murderous rampage. He was, clearly, one step closer to the edge and about to break.

D'Onofrio's role hasn't been revealed so far. It's doubtful that he's one of the teens, obviously, but we've yet to learn if he's the gunman, or a mall official, or a cop, or a concerned parent, or another shopper caught up in the carnage, or a vigilante who crawls around the air ducts in a dirty vest to save the day. Does that cover all the possibilities? His co-stars currently include Cameron Monaghan, James Frecheville, India Menuez and Michael Kenneth Williams.

Linkin Park are doing the music, natch, and given his little acting sideline (he was in Saw 7 and both Cranks) don't be surprised if Chester Bennington also shows up on-screen. Shooting starts next week in LA.


I think we've already heard that Vincent was going to portray a voyeuristic businessman that watches women try on underwear at J.C. Penney's. However, I did notice that there is no mention of Chelsea Handler in the cast list. Hmmmm, maybe she is too busy roaming Rome with her boyfriend a la togas to be in the film? Also important to mention that the film is based from the book written by Eric Bogosian.  Here are photos I found of the above mentioned.

 CAMERON MONAGHAN
 JAMES FRECHEVILLE
 INDIA MENUEZ
MICHAEL KENNETH WILLIAMS

UPDATE 


APRIL 10, 2012

Michael Kenneth Williams has signed on to star in The Collective’s MALL. Based on the Eric Bogosian novel, the film is about five suburbanites who are on a violent collision course with each other at a local mall. Williams will play a character named Michel. Vincent D’Onofrio is also set to star and produce. Cameron Monaghan, James Frecheville, and India Muenez have also joined the cast. Chelsea Handler was previous attached but has since left the project. 

Joe Hahn is directing a script written by D’Onofrio, Joe Vinciguerra, and Sam Bisbee.

Sam Maydew is also producing. Williams, while currently featured in “Boardwalk Empire” and “Community,” is best known for playing Omar on HBO’s “The Wire.”

 He is repped by The Collective and Sekka Scher Management. The Tracking Board Team.

Monday, April 9, 2012

'Linkin Park DJ Goes On ‘Mall’ Killing Spree With Vincent D’’Onofrio!'

Posted by MrDisgusting on April 09, 2012 @ 6:01pm

BLOODYDISGUSTING


Actor Vincent D’’Onofrio (Full Metal Jacket) is both executive producing and starring in Joe Hahn‘s (best known as Linkin Park’s DJ) genre pic that heads to the Mall, Bloody Disgusting learned exclusively.

Penned Joe Vinciguerra and Sam Bisbee, the indie project that’s described as a “dark drama” follows the empty and sordid lives of various mall-goers who are brought into stark relief when a disgruntled former tuxedo shop employee goes on a massive killing spree. It will feature the music of Linkin Park.

Doing some digging we also discovered that the pic will also star “Shameless’” Cameron Monaghan, James Frecheville (Animal Kingdom ), India Menuez and Michael Kenneth Williams (The Road, “The Wire”). 

Shooting begins next week in Los Angeles.

D’’Onofrio can also be seen in Sinister later this year.

'Actress Kathryn Erbe to raise the curtain in NIDA’s Addiction Performance Project'

By National Institutes of Health Monday, April 9, 2012
PHARMPRO

Kathryn Erbe leads an impressive cast in the Addiction Performance Project, an innovative continuing medical education (CME) program for doctors and other health providers, on April 16 in the Chicago, Ill. area. The performance is a project of the National Institute on Drug Abuse (NIDA), part of the National Institutes of Health, and is designed to help doctors and other health professionals better identify and help drug-abusing patients in primary care settings, and to break down the stigma associated with drug addiction.

 The program will begin with a dramatic reading of Act III of Eugene O'Neill's Long Day's Journey into Night, with Kathryn Erbe reading the part of Mary Tyrone, the morphine addicted matriarch of a family devastated by addiction. Ms. Erbe joins other notable leading ladies, including Debra Winger and Blythe Danner, in reading this role as part of the Addiction Performance Project.

The reading will be followed by an expert panel reaction and facilitated audience discussion to explore the challenges for providers in working with addicted patients and the experience of these patients and their families. The performance is free and open to the public. Advance registration is recommended.

What: NIDA's Addiction Performance Project
When: Monday, April 16, 2012, 5:30-7:00 p.m.
Where: Northwestern University's Feinberg School of Medicine Lurie Building - Hughes Auditorium 303 E. Superior, Chicago, Ill. www.northwestern.edu/campus-life/chicago-campus/index.html
Who: Featured Actors (subject to change) Kathryn Erbe (Mary Tyrone) Arliss Howard (James Tyrone) Bob Braswell (Edmund Tyrone) Polly Noonan (Cathleen) Featured Panel Members Daniel Angres, M.D. (Feinberg School of Medicine) Michael Fleming, M.D., M.P.H. (Feinberg School of Medicine) Daniel McGehee, Ph.D. (University of Chicago)

A performance will also be held earlier that day for registrants of the 42nd National Council Mental Health and Addictions Conference. If you are a journalist and wish to attend either of these performances, please send an email to: media@nida.nih.gov.

The project is part of NIDAMED, NIDA's outreach to practicing physicians, physicians in training, and other health professionals. The Addiction Performance Project has a limited run through 2013. For more information, visit: www.drugabuse.gov/nidamed/APP.

'Vincent D’Onofrio as Art Object'

By Michael H. Miller GALLERISTNY
We’re big fans of Paper Monument‘s “See Something Say Something” feature, where writers perform a close reading of a single image (our esteemed colleague Andrew Russeth wrote one about a photograph of Robert Irwin’s project at the World Trade Center in Art in America). The latest one comes from Mike Powell, who chose an image quite near and dear to our hearts: the negative-space image of Vincent D’Onofrio as detective Robert Goren in the credits of Law & Order: Criminal Intent.

First, let’s get this wonderful description of what it’s like to pathologically watch Law & Order out of the way:

“There are nights when I have started watching an episode and not realized until about two minutes in that I watched the same one the night before. I don’t think I have ever registered surprise while watching CI. I have laughed approximately three times…”

And as for the negative image of Mr. D’Onofrio:

His head is hanging to the side. His features are washed out. In one mouse click in the editing room, he turns from virile detective to corpse. Criminal Intent usually begins with a three-minute segment that introduces the characters and sets up the crime before the credit sequence even runs. But it’s not until I see this negative image of Goren that I feel like the break between our real life and the people we are when we are watching CI is complete.

There’s also some, uh, personal information about Mr. Powell’s relationship with his girlfriend (hint: she calls the Detective Goren character “Bobby”)

FROM THE ORIGINAL SOURCE...

'SEE SOMETHING SAY SOMETHING'

Mike Powell
PAPERMONUMENT 

 I have nothing bright to say about Law & Order: Criminal Intent. For forty-five minutes at a time, it reduces me to a ground zero of mental activity. Its stories are grinding and formulaic. There are nights when I have started watching an episode and not realized until about two minutes in that I watched the same one the night before. I don’t think I have ever registered surprise while watching CI. I have laughed approximately three times, two of them during the slow-motion sequences first introduced in Season 7.

One of the stars of CI is Vincent D’Onofrio, pictured here near the end of the credit sequence for Seasons 1-5, in a brief inverted or “negative” image. For the purpose of this piece of writing, all you really need to know about D’Onofrio is that he plays a detective named Robert Goren who has a kind of Sherlock Holmes-like allure. If a criminal has an academic background in Northern African ruins, Goren will invariably prove his deep knowledge of Northern African ruins. He’s the guy that gets “too emotionally involved” in his cases. Naturally, we never, ever see where he sleeps, and his Captain—played in Seasons 1-5 by Jamey Sheridan, and 6 onward by Eric Bogosian—is always pointing out that he’s obviously not sleeping anyway. 

Now let me tell you something about my girlfriend: I like her a lot. She, though, unlike me, seems to have been completely freed from the psychic chains of lust. Over time I have come to believe that she finds sex genuinely less interesting than clean, modernist interiors or the name of every single girl in Vogue. She, on the other hand, probably sees me as that cartoon wolf in a zoot suit whose tongue is always falling out. Our differences on the subject have become routine and amusing. I prod her to confess her lust in part because this would make me feel less guilty about my own, which is vague and constant, like the whine of mosquitoes in summer. Not even when coaxed in the most gentle and understanding of situations will she admit being sexually attracted to other people, myself included. There is one exception to this, and I’m sure you already know who it is: Detective Robert Goren.

Having not really grown up with girls, I find it very charming to watch a 32-year-old woman fawn over a television detective basically every night. I have encouraged her on several occasions to write fan fiction. She interprets my encouragement as mockery. She is right.

But on some level I confess that I’m threatened by Goren. It’s not that I don’t feel like I’m smart enough or psychologically unstable enough to be on his level. It’s much more basic than that: Goren has really big shoulders. He’s big. That’s actually the first thing my girlfriend said about him while watching CI: “Whoa. He’s big.” Having used coded language for as long as I can remember, I knew what she meant instantly. I’m about six-foot-two, but I’m not big, at least not in the way Goren is—sloping, hulking, uncontainable.

Nearly every time I watched the credit sequence for Seasons 1-5, I’ve wondered why they decided to show this negative image. Every other shot in the sequence shows him alongside his partner, Alex Eames, looking very curious and intuitive, taking samples with those latex cop gloves, standing in doorways looking like he’s about to psychologically dismantle a criminal, et cetera—a kind of highlight reel of his epiphanies and triumphs. So I have wondered why they show the negative image because the negative image is fucking creepy. His head is hanging to the side. His features are washed out. In one mouse click in the editing room, he turns from virile detective to corpse.

Criminal Intent usually begins with a three-minute segment that introduces the characters and sets up the crime before the credit sequence even runs. But it’s not until I see this negative image of Goren that I feel like the break between our real life and the people we are when we are watching CI is complete. It’s during the credit sequence that I give my girlfriend over to the man she sometimes called Bobby.

Sometimes I wonder why she hasn’t noticed the negative image and said Oh god, that’s scary. But maybe that’s it: When I see his negative image, I feel thrilled but also reticent, spooked. For her, well—it’s when some other part of her, some bright, desiring part that seems more or less inaccessible at any other time of our lives either shared or alone, comes alive.

 — Mike Powell is an MFA candidate in fiction at the University of Arizona in Tucson

© Paper Monument.

Video: Vincent D'Onofrio at the Tribeca Film Festival in San Fran

Uploaded by Filmalacart on Apr 8, 2012 Believe it or not I found a red carpet here in San Francisco! Actor turned director Vincent D'Onofrio gave us his best advice for new director's. Mr. D'Onofrio was touring with the Tribeca Film Festival to promote "Don't Go In The Woods" a Musical Horror film he developed and directed.

Sunday, April 8, 2012


Photo by Domenica Comfort


Greetings from Marian!

Saturday, April 7, 2012

'Crackers'

Here's the 'Crackers' short film via YouTube for those who could not view it in its original vehicle. THANK YOU, CAROL!

Friday, April 6, 2012

'CHAINED'

Former video clip of trailer in this post has been removed because said video was disabled by Myriad Pictures for copyright infringement...here is another trailer...

'The Player'...'20 Years Ago, Hollywood Became Self-Aware; Or, How A Robert Altman Movie Helped Create TMZ'

DEADSPIN

GRIERSON & LEITCH

                                                            PHOTO: VDO Vault Flickr

Everybody loves a comeback. It's always gratifying to see an athlete or musician or actor rebound from a potentially career-threatening injury or drug problems or racist comment and re-emerge to reign triumphant again. Of course, there's also a selfish component to other people's comebacks: On some level, it gives us hope that, hey, maybe we can rebound from that horrible thing in our own lives, too. But regardless of our reasons for enjoying them, high-profile comebacks tend to ooze a cozy sense of nostalgia. We're not so much welcoming back the prodigal son as we are savoring the chance to have one more go-round with an old friend. It's a feel-good story that everybody gets to share in.

That's why one of my favorite modern-day comebacks is nothing like what I just described. It was from a maverick filmmaker who had once been great but had more recently fallen out of favor. But when he came back, there wasn't anything coyly sweet about his return. Honestly, he seemed as ornery as ever. I'm thinking of director Robert Altman's The Player, which, good god, is now 20 years old.

Premiering as the opening night film of the Cleveland International Film Festival on April 3, 1992—it hit theaters seven days later—The Player was part moral drama, part Hollywood satire. And as Mitchell Zuckoff recounts in his terrific 2009 Robert Altman oral biography, the filmmaker (who had experienced a series of flops in the '80s after great '70s films like M*A*S*H and Nashville) only got to do it because several other directors, including Sidney Lumet, had already walked away from the project. Based on Michael Tolkin's excellent novel, The Player focuses on cold-blooded studio executive Griffin Mill (Tim Robbins at his soulless best), the sort of bottom-line guy who decides what movies get made. He's getting threatening postcards from an anonymous writer, but after he accidentally kills the writer (Vincent D'Onofrio) he thinks is sending them and falls into an affair with the writer's girlfriend (Greta Scacchi), the postcards keep coming.

 READ ENTIRE ARTICLE HERE

Grierson & Leitch is a regular column about the movies. Follow us on Twitter, @griersonleitch.

Thursday, April 5, 2012

Kathryn Erbe attends the Women's Campaign Fund Party

YAHOO! NEWS

NEW YORK, NY - APRIL 02: Actress Kathryn Erbe attends the 32nd Annual Women's Campaign Fund Parties of Your Choice Gala at Christie's on April 2, 2012 in New York City. (Photo by Thos Robinson/Getty Images for Women's Campaign Fund)

ZIMBIO


In This Photo: Kathryn Erbe Actress Kathryn Erbe attends the 32nd Annual Women's Campaign Fund Parties of Your Choice Gala at Christie's on April 2, 2012 in New York City. (April 1, 2012 - Photo by Thos Robinson/Getty Images North America)

Wednesday, April 4, 2012

VINCENT D'ONOFRIO LANDS ROLE IN 'THE TOMB'

VARIETY

YOUTUBE

'CRACKERS' SHORT FILM STARRING VINCENT D'ONOFRIO...

VIMEO

"CRACKERS" - Short Film - Super 16 from Scott Pelzel on Vimeo.

Out of work Chef Gus (Vincent D'Onofrio) is taunted and tortured by his boisterous Mother-In-Law Bedilia (Brenda Vaccaro) who is forced to move in with he and his young wife (Kat)herine (Bethann Bonner) after the untimely death of Bedilia's husband Jack (Dan Hedaya). The film also stars comedian Sal Richards, Anthony Laciura (Boardwalk Empire) and Vincent Mora.

V.I.P. TICKETS TO DINE WITH VINCENT D'ONOFRIO NOW AVAILABLE!


Tuesday, April 3, 2012

View 'Chained' trailer HERE...

Chained trailer on Twitpic


THANK YOU, CMURF100!

Vincent D'Onofrio continues to mentor and teach...

RECENT TWEET:

Seril James ‏ @SerilJames Prepping for my weekly 6hr acting class . Vincent D'Onofrio is guest teaching. #5hourenergydrinksavesme

Seems Vincent is in LA right now as a guest teacher for an acting class being held there. I also found reference for some possible future classes at Lee Strasberg in NYC...

THE STRASBERGIAN


Saturday, March 31, 2012

Thursday, March 29, 2012

Possible new film for Vincent D'Onofrio...THE TOMB...

THE TRACKING BOARD

You’re reading that right… “director” Joseph Gordon-Levitt is one of the three directors approving offers to talent today for their upcoming flicks. He joins Steven Soderbergh and Mikael Hafstrom in the hunt for new stars! Gordon-Levitt approved an offer to Julianne Moore for his still unnamed upcoming feature directing debut, the UNTITLED JOSEPH GORDON-LEVITT COMEDY PROJECT. The film, which is also set to star JGL and Scarlett Johansson, centers on a modern-day Don Juan, as he strives to change his ways. Moore was most recently scene in the record-breaking HBO Films debut “Game Change”.

Soderbergh, meanwhile has approved early talks to bring aboard on-the-rise star Vinessa Shaw for his once upon a time titled “The Bitter Pill” which is now going by the title THE SIDE EFFECTS. Shaw would join a cast already set to star (though all of these names could not be confirmed before this piece) Channing Tatum, Jude Law, Liv Tyler, Catherine Zeta-Jones and Rooney Mara. Our sources tell us Shaw may be stepping in to the role of ‘Emily Hawkins’ that was previously set to star Mara – who may now be unavailable. Shaw, who was most recently seen in the horribly retitled Drew Barrymore, John Krasinski film “Big Miracle”.

And lastly, Hafstrom has seen the list of potential stars grow for his prison action film THE TOMB, with Summit inviting early talks with star Vincent D’Onofrio. D’Onofrio would join the current cast of Sylvester Stallone, Arnold Schwarzenegger and Jim Caviezel in this prison-designer goes to jail actioner. D’Onofrio was last seen in the indie flick “Kill the Irishman”.

 Moore is repped by CAA and Management 360, Shaw is repped by ICM and Thruline Entertainment and D’Onofrio is repped by UTA and The Collective.

EMPIRE

Now that The Tomb is gearing up with Mikael Hafstrom directing, the power combo/hospital buddy duo of Sylvester Stallone and Arnold Schwarzenegger needed an adversary to fight against.

Now it looks like they’ve found a bad guy in Jim Caviezel. You may recall that the movie has been through a few casting hoops, but has now settled with Sly playing Ray Breslin, the world’s top authority on structural security and a man who designs prisons for a living. Things take a turn for the difficult when he’s framed for a crime and locked up in one of the facilities he helped make escape-proof. Now he has to go up against his own design, with the help of Schwarzenegger’s fellow inmate Church.

Producer Mark Canton went on the Matthew Aaron show for a chat (picked up by JoBlo) and revealed that Caviezel has signed on to play the warden of the prison, who will no doubt make plenty of trouble for our muscular heroes.

The Tomb should kick off shooting this year, ready for a release in 2013. Caviezel has been spending most of his recent time working on US TV drama Person Of Interest.

DINE WITH VINCENT D'ONOFRIO FOR A GREAT CAUSE



Wednesday, March 28, 2012

'Funkoars won't pull punches'

Kate Kingsmill March 29, 2012 THE CANBERRA TIMES
The Funkoars have no plans for getting any legal advice. If Vincent D'Onofrio finds out that they are using his face to promote their latest tour, they will ''just send Vincent grovelling emails telling him how great he is'', MC Sesta says.

Such is this Adelaide hip-hop band's respect for the Law and Order actor that on their latest album, 2011's The Quickening, they named one of the tracks Being Vincent D'Onofrio. ''If it was up to us we would have named the album that, but we thought we'd call our tour that, and that gave us the chance to superimpose Vincent D'Onofrio's face onto all of our faces on the tour posters. Personally it's my favourite tour poster, and most people can't even pronounce it so it's a win-win situation.''

 Sesta is clearly unconcerned with any legal ramifications from the band's use of the actor's likeness. ''If anything does arise from it, well, we'd just be flattered that he even knows about it, so that's cool. He seems like a pretty laid-back guy.''

Which is just how the Funkoars roll. Like on a recent tour of far north Queensland when their rental car broke down in the middle of nowhere, and they were stranded for hours together in the melting Queensland heat. ''It was alright at first,'' Sesta says. ''We laughed and saw the brighter side of it. But then an hour later we were sitting in the car, just not speaking to each other. But then we made some videos and acted like dickheads. So we survived.''

The Funkoars have carved a successful career out of acting like that. Their lyrical content runs the gamut from booze-fuelled shenanigans to gambling failures and back again because, Sesta says: ''They're easy things to undertake. It's the only thing we really know anything about. So you may as well just get intricate within the things that you know a lot about, rather than trying to act clever like everybody else. Just talk really skilfully about one or two things in particular and just shut your mouth about the other things. It just so happened that we know a lot about rude things, things that make us laugh.''

But there is a little-known serious side to the band. MC Trials is, Sesta says, ''a hard worker who spends a lot of time making beats. That's where he shines, when he gets together with someone in the studio''. Trials has produced albums for Vents, Hilltops and another old mate, Drapht. ''We were friends with Drapht from the beginning and I think now everyone's stepped up their game and getting a lot more professional, we're all reaping the benefits of these long-term relationships and knowing and working with these people for so long.''

Last year the Funkoars signed to the Hilltop Hoods' fledgling record label, Golden Era, a move which was ''kind of just inevitable, really'', Sesta says. ''We've always had a pretty close relationship with them, we've always done music together, we're just a big circle of friends. So it's their fault. They're going to make a record label, we're going to join up whether they like it or not. We've kicked in the door and we're sitting on the couch eating all their Doritos.''

But seriously, he says, ''they look after us and while there's the inevitable business side of things, it's as much as humanly possible still a friendship-based thing. We have a healthy friendship behind it all which is a luxury that almost nobody gets to have. So we're pretty lucky in that way''.

The Funkoars
WITH: Raw City Rukus, Old School Al and Mattrix
WHEN: Tomorrow
WHERE: The Greenroom @ The Tradies Club
TICKETS: $25 + BF from Moshtix

■ Kate Kingsmill is a music lover, writer and radio broadcaster